The Scores
Scores Part 1 – A-D
Charles-Valentin Alkan (1813-88)
Online archive of Alkan scores at http://alkan.assos.free.fr/alkan/04_partitions_en.html
Transcription of Meyerbeer’s overture to Le Prophete
Fantaisie on Mozart’s Don Giovanni, op 26 (4 hands)
Maxime Alkan (1818-91)
Napoleon Alkan (1826-88)
Etude fuguee on 2 motifs from Meyerbeer’s The Prophet
G. Anderson
Johann Andre (publisher)
Transcription of Schubert’s Fantaisie in F minor, D940
Nicolas Vassilievich Artchiboutcheff
Josef Ascher (1829-69)
Drops of water – Caprice Etude, op 17
Danse espagnole – Fragment de salon, op 24
The Contemplations, op 54: No 2 – Why?
Bohemien schottisch (simplified version)
Danse negre – Caprice caracteristique, op 109
Fantaisie no 6 on Meyerbeer’s Les Huguenots
La Moscovite – Danse nationale
V.B. Aubert
Nocturne – The Harp at Midnight
E. Bach
Agathe Backer-Grondahl (1847-1907)
Pieces, op 15: no 1 – Serenade; no 2 – Au bal; no 3 – Humoresque
Pieces, op 19: no 1; no 2; no 3; no 4
Pieces, op 20: Prelude; Gavotte; Menuet; Nocturne; Scherzo
Pieces, op 53: no 1 – Serenade; no 2 – Albumblad; no 3 – Valse-Caprice
Tekla Badarzewska-Baranowska (1834-61)
Prière exaucée – Réponse à la prière d’une vierge
Vision – Traumbild – Rêverie mélodieuse
Mily Balakirev (1837-1910)
Transcription of “The Lark” by Glinka
Charlotte A. Barnard “Claribel” (1830-69)
G.M. Bartlet
The little rowdy – caprice, op 74
Adolphe Baumbach (fl. 1850)
Polonaise brilliante on motifs from Bellini’s La Somnambula
Friedrich Baumfelder (1836-1916)
Auguste Bazille (1828-91)
Transcription of the Entr’acte-Gavotte from Thomas’s Mignon
Paul Beaumont – pseudonym of Edward Sydney Smith, q.v.
Franz Behr (1837-98)
writing as G. Bachmann – Gavotte Duchesse
Julius (Gyula) von Beliczay de Belic (1835-93)
Variations on a Hungarian folksong, op 23
Miniatures – 12 short piano pieces, op 67
Franz Bendel (1833-74)
Sir Julius Benedict (1804-85)
Transcription of Mendelssohn’s Cornelius March, op 108
Sir William Sterndale Bennett (1816-75)
Six Studies in the form of Capriccios, op 11, nos. 1, 3, 4 and 6; no 2; no 5
Selected Pieces (1897): volume I
contains: Allegro grazioso, op 18, no 3; Barcarole from the 4th Concerto, op 19; Capriccio, op 11 no 2; Capriccio, op 11 no 5; Impromptu, op 12 no 1; Romanza, op 14 no 2; Rondo piacevole, op 25; The Fountain – Musical Sketch, op 10 no 3; The Lake – Musical Sketch, op 10 no 1; The Mill-stream – Musical Sketch, op 10 no 2
Selected Pieces (1897); volume II
contains: Capriccio, op 11 no 3; Geneviève – Romance; Introduction et Pastorale, op 28 no 1; L’amabile – Etude caracteristique, op 29 no 1; L’appassionata – Etude caracteristique, op 29 no 2; Minuetto espressivo, op 35; “Pas triste, pas gai” – Rondo, op 34; Rondeau à la Polonaise, op 37; Rondino, op 28 no 2
Hermann Berens (1826-80)
Selected string quartets of Joseph Haydn – 3 vols in one file
Emile Berger (1838?-?)
Annie Laurie arranged with Variations
Louis Berger (1777-1839)
Henri Bertini jeune (1798-1876)
Grande Fantaisie Etude, op 46 (edition by James L. Bailey)
Ferdinand Beyer (1803-63)
Fantaisie on Donizetti’s “La Fille du Regiment”, op 36
“Vaterlands Lieder” no 60: Hungarian Folk-Hymn “Gott erhalte Ungarn” by Erkel
“Vaterlands Lieder” no 61: Szózat (Hungarian National Hymn) by Egressy
Carl Bial (1833-93)
Transcription of Tchaikovsky’s Romeo and Juliet Fantasy Overture
Georges Bizet (1838-75)
Transcription of Saint-Saens’ Piano Concerto no 2 in G minor (op 22): movt I; movt II; movt III
Gustav Blasser (1857-1926)
Transcription of Schubert’s Overture to Alfonso and Estrella
Transcription of Schubert’s Overture to Rosamunde
Transcriptions of five overtures by Weber
Felix Blumenfeld (1883-1931)
Variations caracteristiques, op 8
Preludes, op 12: no 1; no 2; no 3; no 4
24 Preludes, op 17: nos 1-12; nos 13-24
3 Pieces, op 21: no 1; no 2; no 3
Fragments caracteristiques, op 33
Ballade in the form of variations, op 34
Episodes in the life of a dancer, op 52; no 1; no 2; no 3; no 4
2 pieces, op 53: no 1 – Danse; no 2 – Postludium
Selected etudes: vol I; vol II
Transcription of Glazunov’s Concert Waltz (op 47)
Transcription of Borodin’s Overture to Prince Igor
Transcription of Borodin’s Polovtsian Dances from Prince Igor
Henryk Bobinski (1861-1914)
Piano Concerto in E minor, op 8, transcribed for two pianos: part I; part II
Carl Bohm (1844-1920)
Vogel im Walde – Salon Etude, op 311
François Adrien Boeldieu (1775-1834)
Henry Bollman (1823-90)
Leonard Borwick (1868-1925)
Transcription of Bach’s organ Fugue in G minor
Transcription of Bach’s organ Prelude in E flat major “St Anne”
Transcription of Fetes from Nocturnes by Debussy
Louis Brassin (1840-84)
Transcription of Wagner’s Magic Fire Scene from Die Walküre
Transcription of Wagner’s Ride of the Valkyries from Der Ring des Nibelungen
Transcription of Wagner’s Forest Murmurs from Siegfried
Transcription of Wagner’s Valhalla from Der Ring des Nibelungen
Transcription of Siegmund’s Love Song from Der Ring des Nibelungen
Edgar A. Brazelton
Charles Breton
Jules de Brissac – pseudonym of Mrs John McFarren, q.v.
Friedrich Brissler (1818-93)
Transcription of Mozart’s Requiem (K626)
transcription of schumann’s im schatten des waldes from zigeunerleben (op 29 no 3)
Frederic Brisson (1821-?)
Anton Bruckner (1824-96)
Ignaz Brull (1846-1907)
Hans von Bülow (1830-94)
Arabesques in the form of Variations on a theme from Verdi’s Rigoletto, op 2
Remembrance of Verdi’s opera Un ballo in maschera, op 17
Humorous Quadrilles on motifs from Berlioz’s Benvenuto Cellini
Transcription of Handel’s Air with Variations “The Harmonious Blacksmith” from the Suite in E major
Paraphrase de Concert on Wagner’s Die Meistersinger von Nürnberg
Transcription of the Prelude from Wagner’s Die Meistersinger von Nürnberg
Edition of Cramer: Fifty selected studies: part I; part II; part III
Friedrich Bürgmuller (1806-74)
Fantasie on Donizetti’s Lucrezia Borgia, op 69
Pharsalia, valse brilliante, op 89 no 4
Fantasie brillante on Verdi’s Ernani, op 92
Variations on David’s Une soiree de printems, op 95
Arrangement of Herold’s Rendez-moi la Patrie, op 97 no 12
18 characteristic studies, op 109
Grande valse de salon on a theme from Meyerbeer’s Le Perdon de Ploermel
Le papillon, valse after Offenbach
Simplification of de Kontski’s The Awakening of the Lion
Ferruccio Busoni (1866-1924)
Fantasie on Cornelius’s The Barber of Baghdad
Transcription of Offenbach’s Barcarolle from The Tales of Hoffman
Teresa Carreno (1853-1917)
Michele Cerimele
Transcription of Johann Strauss II and Josef Strauss’s Pizzicato Polka, op 135
Bavardage – Transcription of Johann Strauss II’s Tritsch-Tratsch Polka-Galop, op 136
Charles Chaulieu (1788-1849)
Variations on Au clair de la lune
Frederic Chopin (1810-49)
Albumleaf (discovered by Chailley)
Nocturne oubliee (probably not by Chopin)
Frederick Scotson Clark (1840-83)
Le papillon – morceau brilliant
Muzio Clementi (1752-1832)
Charles V. Cloy
Willem Coenen (1837-1918)
Fantasia on The Last Rose of Summer and God Save the Queen for left hand alone
Johann Baptist Cramer (1771-1858)
Hommage to Mozart – 12 grandes etudes melodiques, op 107
Heinrich Cramer (1818-77)
Fantaisie elegante on The Last Rose of Summer, op 57 no 2
Transcription of the Funeral March from Wagner’s Gotterdammerung
Transcription of Yradier’s La Paloma
Alexandre Croisez (fl. 1850s)
L’Hirondelle et le Prisonnier – Caprice de genre, op 58
Cesar Cui (1835-1918)
Carl Czerny (1791-1857)
Sonata no 2 in A minor, op 13 – cut version
Rondino no 1 on a Cavatina from Rossini’s Zelmira, op 22
Rondino no 3 on a Favorite Theme from Rossini’s Armide, op 30
Rondino no 4 on a Favorite Air of Mr Fesca, op 39
Rondino no 6 on an original theme, op 42
Sonatina in G major, op 104 no 1
Decameron musical, op 110 Cah 4
Impromptu or Variations on a favorite theme from Weber’s Oberon, op 134
100 progressive studies, op 139: nos 1-49; nos 50-100
3 easy and agreeable rondos, op 158 cahier 1
Sonatina in C major, op 158 cahier 3 no 1
Sonatina in G major, op 158 cahier 3 no 3
Second Decameron musicale: Romance variee “Toujours, toujours”, op 175 no 1
Second Decameron musicale: Rondo en valse, op 175 no 2
Second Decameron musicale: Fantaisie-rondeau after Beethoven’s Adelaide, op 175 no 3
Second Decameron musicale: Impromptu sur un theme russe, op 175 no 4
Second Decameron musicale: Polonaise, op 175 no 5
Second Decameron musicale: Ecossaise de Beethoven variee, op 175 no 6
Second Decameron musicale: 9 Romances, op 175 no 7
Second Decameron musicale: Toccata, op 175 no 8
3rd Fantaisie elegante on favorite themes from Auber’s La muette de Portici, op 197
6 Rondeaux d’amusement, op 201: no 6
Rondeau de chasse on the favorite chorus from Rossini’s William Tell, op 217
Potpourri brilliant on favorite themes from Spohr’s Faust, op 218
Grande exercise in thirds and double notes, op 245
Charming Variations on the Charming Waltz by Johann Strauss I, op 249
125 exercises in passage-playing, op 261
The School of Velocity, op 299: book I; book II
Two Rondeaux on Herold’s Le Pre aux Clercs, op 311: no 1; no 2
Introduction and Brilliant Variations on an original theme, op 317
L’Allegresse – Rondeau, op 323
Fantaisie on Donizetti’s Il Furioso, op 328
The School of Ornaments nos 1-35, op 355
8 rondinos, op 419: no 6
Swiss Alpine Echoes – Impromptu brilliant on the air Der Heerdenreihen, op 428 cahier 2 no 2
Sleepwalker Variations on the Sleepwalker (Nachtwandler) Waltz by Johann Strauss I, op 430
Railway Variations on the Railway-Love (Eisenbahn-Lust) Waltz by Johann Strauss I, op 431
110 easy and progressive exercises, op 453: nos 1-60; nos 61-110
Rondo on the minuet from Mozart’s Don Giovanni, op 454 no 5
Rondo on a theme from Le bal masque, op 454 no 14
Rondeau brilliant on favorite waltzes by Joseph Lanner, op 491
Fantaisie on Mozart’s The marriage of Figaro, op 493
Petit rondo on a theme from La Straniera, op 516 no 1
Rondo brilliant on a Russian air, op 520 no 1
Small theoretical and practical pianoforte school for beginners, op 584
First Teacher of the Piano, op 599
Preliminary school of velocity, op 636: book I
Souvenir de Weber – Fantaisie brilliante on the motifs of the opera Der Freischutz, op 668
24 studies for the left hand, op 718
Le début – 25 etudes for small hands, op 748
Brilliant and not difficult variations on a theme from Wagner’s Rienzi, op 759
Chanson sans paroles, op 795 no 1
Practical Finger Exercises, op 802: parts I-III; parts IV-VI
160 Exercises, op 821: nos 1-80; nos 81-160
The Amusement of Young Amateurs – 20 small and brilliant Recreations, op 825, book I
32 New Daily Exercises for small hands, op 848
New school for the left hand, op 861
Musikalisches Pfennigmagazin no 7
Musikalisches Pfennigmagazin no 8
Musikalisches Pfennigmagazin no 9
Musikalisches Pfennigmagazin Cah 1 no 15
Musikalisches Pfennigsmagazin no 36: Rondoletto on an original theme
Musikalisches Pfennigsmagazin no 39: Rondino on a motif from Bellini’s La Sonnambula
Rondoletto on a theme from Meyerbeer’s Robert le diable
Variations on the beloved Sehnsuchts Waltz by Beethoven
Transcription of Beethoven’s Overture Leonora (no 1, op 138)
Transcription of Beethoven’s Septet (op 20)
Transcription of Donizetti’s Overture to Linda di Chamounix
Transcription of Haydn’s The Creation
Transcription of Henselt’s Morceau de salon (op 14)
Arrangement of Thalberg’s Fantaisie on Bellini’s Beatrice di Tenda (op 49)
Joseph Czerny (1785-1831)
Variations on Di te non mi fido by Rossini
Victor Delacour – pseudonym of Edward Sydney Smith, q.v.
Leon J.J.A. Lepot-Delahaye (1844-96)
Louis Dessaux (d.1922)
Edouard Destenay (1850-1924)
Louis Dièmer (1843-1919)
Transcription of the Adagio from the Septet (op 20) by Beethoven
Transcription of the Finale from Haydn’s Symphony no 88 “Oxford”
Johann Friedrich Carl Dietrich (1816-75)
Transcription of Schubert’s Divertissement a la Hongroise (op 54)
Transcription of Schubert’s Fantasy in F minor (D940)
Transcription of Schubert’s 3 Heroic Marches (op 27)
Transcription of Schubert’s 6 Polonaises
Transcription of Schubert’s 8 Variations on a French Song
Franz Dietz
Forget-me-not Schottische, op 33
Our Boys – Signal march, op 35
Ignacy Dobrzynski (1807-67)
Fantaisie on themes from Mozart’s Don Giovanni, op 59
Edouard Dorn
Operatic Fantasia on Balfe’s The Bohemian Girl, op 46
William Dressler (1826-1914)
Transcription of Bellini’s Mira, O Norma
Alexander Dreyschock (1818-69)
3 Andantes & 4 Impromptus caracteristiques, op 3
Variations for the left hand alone, op 22
Grand variations on “God save the Queen” for the left hand alone, op 129
Piano concerto in D minor, op 137 (version for piano solo)
August Durand (1830-1909)
